Inara Pey: Living in a Modem World | Second Life, virtual worlds and virtual reality

I’ve long been an admirer of Gem Preiz. His work in creating magnificent vistas using fractal art is simply astonishing. So it was a genuine pleasure to once again be offered an opportunity to previewing his latest installation, which opens on Thursday, January 12th, and runs through until the end of June.

No Frontiers is, in at least some ways, a sequel to his last two environments, Hertiage: Vestiges and Heritages: Wrecks (which you can respectively read about here and here). Within it, we are again asked to engage upon a journey through space and time. But where the Hertiage pieces were perhaps rooted in a dark vision of a future encompassing loss and departure, only brightening at the very end, No Frontiers presents something altogether more optimistic, a vision of a vast cosmos awaiting us, with opportunities unbounded, the potential for new encounters and a celebration of what we are, and what we may yet mature into.

No Frontiers – Gem PreizAs with is previous works, No Frontiers invites the visitor to travel through a series of vast halls, in which each of is placed a single, gigantic fractal image, each comprising around 18 individual elements. The halls are all interconnected by tubes, and are so vast, flying is the most practical way to see them. To assist in this, Gem provides two flying vehicles, a single-seater and a tandem two-seater (although visitors are welcome to free fly is they prefer). These are found in the “departure hall”, where instructions on how best to appreciate the installation can be found. I recommend the latter are read, and that in particular, particles are turned up and the music stream is enabled…

Source: Inara Pey: Living in a Modem World | Second Life, virtual worlds and virtual reality

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