Tag: locations

Caitlyn and I first visited Costa Blanco in January 2017, but I didn’t get to blog about it at the time, so a re-visit seemed in order.

Designed by Gabrian Lascelles (Gothicgaylord), the region is described as “situated in the southernmost province of Sweden, and is connected by weather and theme with Bretagne in France.” It’s an interesting description, and the general environment for the region has much of a feel of being suited to either southern Sweden or Bretagne (or even here in the UK!). However, the design of the region throws in multiple elements – a Mediterranean style villa by the landing point, for example – such that Costa Blanco has an eclectic feel to it which makes exploring interesting and offers many opportunities for photography.

The aforementioned landing point is in the north-west part of the region, directly outside of the villa. Grapes are growing on the vine here, as a cobbled drive leads down the slope of a low hill to where a scattering of farm outhouses and barns sit. Some of these have clearly seen better days, as their boarded windows and doorways can attest, while the tractors sitting in and around them also speak of age and hard-working lives. Given the way the hay is baled, it would seem this is still a working farm, but the overall impression is that the focus is now more on providing stables for horses, than working the land….

Source: Costa Blanco in Second Life | Inara Pey: Living in a Modem World

Just as in the physical world, there are certain places in Second Life we’re drawn back to again and again. This might be because the place has special significance, or because it is held by friends or offers a opportunities or photography or simple enjoyment, or because it is like the seasons – constantly changing and renewing.

For me, The Mill encompasses all of the things, and so is a natural choice for semi-regular revisits. Designed by friends Max (Maxie Daviau) and Shakespeare (SkinnyNilla), it is an ever-evolving place, always marvellously landscaped and presented, beautifully photogenic and delightfully restful.

Celebrating spring and summer, this version of The Mill takes us to what might be the Apennine Mountains – perhaps, going on the style of buildings here, the Tuscan–Emilian Apennines. Surrounded by tall, rugged peaks, the rocky dome of a hill (or if you prefer, an island) rises from the waters of (again, depending on your point of view) either a lake within the mountains, or the confluences of rivers running through them.The majority of this island hill is given over to a farm where grapes and sunflowers are being cultivated. The farmhouse sits at the top of the hill, surrounded by woodland trees, wild grass and the nearest field of sunflowers. It is reached by a meandering track that slowly winds its way up the hill, passing further rows of regimented sunflowers and flat-topped outcrops of rock, content in taking its time to reach the farm, its wandering course encouraging visitors to do the same….

Source: A return to The Mill in Second Life | Inara Pey: Living in a Modem World

Rustic Retreat is a full region designed by Pred Fromund (Predator Ryba) and Bluey Porthos Fromund (Blue Whitefalcon). Described as ” an ideal place for photographers – or those that like to explore or just chill out”, it is a place of many facets: fantasy, whimsy, beauty, mystery – and a little darkness as well.

The fantasy element is made apparent at the landing point, alongside of which a Troll stands, whilst fairies play around a nearby fountain. The mystery is also evident to keen eyes, as strange plants can be seen further away along the fire-lit path, glowing and swaying in the breeze. Also not too far away, fantasy and mystery come together beyond a stone arch sitting alongside the trail.

The default lighting for the region is night (although I opted to take most of my images in daylight), and I recommend exploring it; at least in part, as there are several areas which deserve to be seen in daylight, such is the attention lavished upon them. Torches and fires light the trails winding through parts of the region, and the glowing beauty of Elicio ember’s fabulous plants lend themselves perfectly to the night-time lighting

Where you wander during a visit is entirely down to you; the trails will lead you to various places – one might lead to ancient ruins here, a little cuddle spot there, Another might take you to where a fork in the path gives you a choice of a climb up to a platform among waterfalls, or a  path through the skull of a dragon and thence to a basalt-ringed garden and pool with a coastal board walk beside gigantic mushrooms close by…..

Source: A Rustic Retreat in Second Life | Inara Pey: Living in a Modem World

We received word that Sera Bellic had given her Homeland region of Oyster Bay a further make-over some 24 hours before it appeared in the Destination Guide Highlights for Friday, April 28th – and I was immediately intrigued by the theme title: Asian Fusion. Regular readers of this blog will know that anything having any kind of Eastern or oriental flavour is bound to get my attention. So, off we hopped to take a look.

Now, truth be told, “Asian” and “oriental” fusions in Second Life often tends to lean towards regions with a blending of predominantly Chinese and Japanese elements, so I was curious to see if Sera would cast her net wider than purely Sino-Japanese influences. And she has. Quite marvellously so.Asian Fusion: Oyster BayFrom the landing point in the north-west corner of the region, visitors are encouraged under a rocky arch and into a land that immediately puts one in mind of Indochina (or as we more boringly refer to it today: South-east Asia). Across a small river spanned by a simple yet ornate wooden bridge, a paired tier of rice paddies are stacked against a rocky bluff. Working oxen stand on the grassland between stream and paddies,  ignoring the click-clank of a nearby shishi odoshi which forms part of the region’s nods towards Japan. Another such nod can be found on the north bank of the river, where a small Japanese style cabin sits amidst elephant’s ears and clover, refreshments on offer inside, a sampan sitting at the river bank close by.

Immediately to the right of the rocky arch guiding visitors into the region is a clear nod to China. A bamboo grove rises on a step of clover-covered rock, home to a bamboo of pandas (I much prefer that to the the idea of an “embarrassment” of pandas, or the Royal Society’s 1866 decree that a group of pandas should be called a “cupboard”).  Like the oxen across the river, these bears are not the slightest bothered by the steady clank of an shishi odoshi….

Source: An Asian Fusion in Second Life | Inara Pey: Living in a Modem World

The Heart of the Sea is a marvellous homestead region design by Elyjia (Elyjia Baxton) and Brayan Friller (Brayan26 Friller) that Caitlyn and I were (once again!) pointed towards by Shakespeare (SkinnyNilla) as a result of one of our regular exchanges of landmarks with one another. For those wishing to spend it in idyllic, natural surroundings rich is a sense of peace and tranquillity, I thoroughly recommend a visit.

As you might expect from the name, water features strongly in the design, the region comprising the gentle sweep of a rocky island sitting within shallow waters, accompanied four rocky islets, together with a smaller island which forms the landing point. On this sandy hump,  lying across the wild grass holding the sand in place, lies the broken finger of a candy-striped lighthouse; once it may have warned passing vessels about the rocks laying on the eastward side of the isle, but no more.

The Heart of the SeaThe two islands are connected – by way of one of the smaller rocky outcrops – by an old board walk – almost. But while at one time it may well have linked the three sandy beaches it passes between, now it lays broken and sagging into the shallow waters in two places. However, in the lee of the middle islet sits a rowing boat draped with a cuddle blanket, while the sand of its beach has a message written upon it; the first indications that romance is welcome here.

Rising from a ribbon of sand that almost entirely encompasses it, the main island comprises three low, flat-topped tables of rock. Two of these are home to a small farm. On one, horses and sleep graze on a rich thatch of grass, a nearby barn offering some shelter should the elements turn. On the other sits what might be the farmhouse, reached by crossing a natural stone bridge spanning a narrow channel of sand below….

Source: The Heart of the Sea in Second Life | Inara Pey: Living in a Modem World

Spring Spirit is a homestead region designed by xxStanxx (xxStanilasxx) and soffy Ronwood. Offered to bloggers, photographers and lovers of nature as a place to visit and enjoy, it is another true delight.

Visitors arrive on a small grassy area bordered on one side by the imposing bulk of a gallery accessed via a small courtyard, and hemmed on two sides by steep-sided hills. Cats and dogs roam this  open space before the gallery’s walls, the cats in particular fascinated by two tanks of koi carp. A series of large square flagstones form a broad path leading away from the entrance to the gallery, inviting visitors to follow. Passing between an aged Japanese maple and a smaller but equally bent cheery blossom tree – both of which give the first hint of the region’s far eastern influence – the path take you down to the water’s edge and under a natural arch of rock, to reveal Spring Spirit’s secret in all it beauty, a bench seat beside the path allowing you to sit down and take it all in.

Continue reading “A Spring Spirit in Second Life | Inara Pey: Living in a Modem World” →

NonStop, a homestead region by Cherish Demonge, is presented as “Second Life’s ultimate forest”.  I’d personally regard the setting as more coastal / rural than “forest” – while there are trees aplenty, they mostly look and feel more like woodland, occupying the more rugged parts of the region and offering pleasant glades and walks between them, while leaving the low-lying parts of the region open for habitation.

Continue reading “A NonStop visit in Second Life | Inara Pey: Living in a Modem World” →